How to Select a Camera for a Low-Budget Filmmaking Project

Which video camera should you purchase? It depends on how much money you have and what kind of movie you want to make.

My decision of the best cameras for video in 2021

  • A mirrorless camera or DSLR is the most reasonable method for getting into innovative filmmaking.
  • For news or occasions, a prosumer might be more reasonable.
  • Cinema cameras combine the best aspects of professional camcorders and mirrorless cameras, but they are expensive.
  • For work, travel, everyday life use, pick a simple to-utilize camera: a fundamental camcorder, iPhone, iPad or smaller still camera.
  • For sports and outdoor activities, use an Osmo Pocket camera with stabilization or an action camera.
  • Pick a basic camcorder, used mirrorless camera, or DSLR if you’re on a tight budget.

Creative Filmmaking

Mirrorless cameras and DSLRs

Tradable focal point cameras are principally intended for serious still photography. However, they are the cheapest approach to beginning creative low-budget filmmaking.

Professional camcorders

When compared to camcorders, they have larger sensors and lenses. So they’re better for low light and ‘artistic’ shallow center shots. Downsides? You might require assistants to get the best out of them, they’re more slow to use than devoted camcorders, and sound recording can be precarious. Be that as it may, late mirrorless cameras like the Panasonic GH5 and the G85/G80 have picture adjustment and electronic viewfinders to make video shooting simpler.

Cameras with excellent manual controls and professional audio inputs and outputs are considered professional camcorders. They are able to record in professional video formats, which are simpler to adjust and fix than the majority of video shot with DSLRs and camcorders. They’re a decent decision for news, occasions and corporate video.

Cinema Cameras Canon C100

The Canon C100 is a high-quality camera with interchangeable lenses. Their enormous sensors let you get imaginative shallow center impacts, as DSLR/mirrorless cameras. However, they are simpler to film with because they are intended for video rather than stills. The majority of them produce better images, particularly in low light. They can keep in star video arranges that are not difficult to change and address. The majority of them can’t shoot stills.

For high-quality 4K RAW and ProRes files, the BlackMagic Pocket Cinema Camera 4K is the best value.

Simple to-utilize cameras

These are the cameras to consider assuming you need something direct to use at work, in school, at home or for movement.

Consumer Camcorder

Panasonic HC-V550 consumer camcorders are some of the cheapest and easiest-to-use video recorders available. They’re valuable for amateurs, schools and families, however picture quality will not be comparable to SLRs or mirrorless cameras. I do not recommend purchasing inexpensive (under $100) camcorders from unknown manufacturers.

Conservative still cameras

Sony RX100 Mk IV
Little ‘simple to use’ still cameras have underlying long range focal points. Most can shoot Full HD video, and some can record Ultra HD (4k). They are suitable for families and travelers. Even though top compacts aren’t nearly as good as DSLRs or mirrorless cameras, video quality is usually not as good.

GoPro Hero 5 action cameras

Despite their toughness, you shouldn’t use one as your primary camera. They can be attached to bicycles, helmets, automobiles, your body, and even animals. The vast majority of them don’t have screens. The more expensive ones allow you to monitor the image using an iPhone or Android app or a wireless monitor. The DJI Pocket, which is further down, is another option.

The DJI Pocket 2 DJI Pocket 2 is a small camera with a stabilizing system that works well for taking pictures of events and action as well as for making fluid, creative camera moves. It can record Full HD at 240 frames per second and 4K at 60 frames per second, respectively. As an alternative to a standard camcorder, an action camera, or a phone/stabiliser combo, it’s something to think about.

Choosing a camera: what to look for

How to pick a camera: What to look for: Ease of use Does the camera feel good in your hand? Are the controls user-friendly? Do you have to use the menus or can you change the most important settings with buttons and switches? Does the touchscreen work well, if there is one? Is there a shoe for accessories on the camera that can hold a light or microphone?

Manual control

Could you at any point set openness, white equilibrium and sound levels yourself, or would they say they are programmed? You might not care about these controls right now, but if you really want to make movies, you might need them.


How far does the camera zoom in (telephoto) and out (wide angle)? Because it lets you get close and makes it easier to hold the camera, the wide-angle setting is probably more important. Finding the 35mm equivalent is the best way to compare this: 25mm or less is ideal, and less than 30mm is good. It’s the optical zoom range you ought to get some information about – computerized zoom is insignificant (see base).

Does the manufacturer offer front-mount adaptors for wide-angle or telephoto lenses if the zoom range is limited?

How close could the camera at any point center? What is the largest opening? A low aperture, such as f/2 or f/1.7, lets in more light, allowing you to use the camera in low light or create shallow focus effects.


Is the implicit receiver great? Do you have access to a headphone jack so that you can enjoy the sound while you’re filming? Can a separate microphone be connected? A camera with three-pin XLR inputs is required if you want to use professional microphones.

Picture adjustment

Picture adjustment can make pictures less precarious. While it isn’t necessary if you plan to use a good camera support or a tripod, it is extremely useful for handheld photography. The combination of lens-based optical stabilization and sensor-based in body image stabilisation (IBIS) is the most efficient stabilization and is present in some recent cameras, such as the Panasonic GH5.

Sensor size

Bigger is better – to a limited extent. The greater sensors in HDSLRs, mirrorless cameras and huge sensor camcorders are normally better in low light, and allow you to get shallow center impacts. They additionally let you utilize more modest gaps without diffraction relaxing your picture. Be that as it may, for news and occasions shooters, the more prominent profundity of field you get from a little sensor camera can be valuable.

There are three main sensor sizes for mirrorless and DSLR cameras: Micro Fourth Thirds (MFT), full frame, and APS-C The smallest MFT sensors make the cameras and lenses compact and convenient, but they perform less well in low light. The size of APS-C images is comparable to that of 35mm film frames: preferable to MFT for low-light and shallow focus.

‘Full edge’ cameras give the best low light exhibition (and super shallow concentration, assuming you want it). However, they’re costly and have greater, heavier focal points: Unless you are absolutely certain that you require them, I wouldn’t really recommend them.

Recording Format

Format of recording Verify that the camera records in a format that your editing software can work with.

You just truly need 1080p HD for most purposes, however recording in 4K ‘ultra top quality’ enjoys a few benefits. Even when downsized to 1080p, 4K footage can look better, and editing with it gives you the option to crop (for example, from a middle shot to a closeup).

A few cameras can record greater video like 10 digit and 4:2:2. These take up more space and are harder to use on your computer, but editing makes it easier to fix and change them.

Do you require footage of broadcast quality? This typically means HD video recorded at a bit rate of at least 50Mb/s and using 4:2:2 chroma subsampling, which provides twice as much color information as 4:2:0 recorded by many SLRs and camcorders. Additionally, a minimum sensor size is required: 1 inch for a solitary chip, or 1/2 inch for three-chip cameras.

As usual, you can pose any inquiries in the Remarks area, underneath, and we will happily you as you with getting ready for film school. Or get in touch with our Golden Camera professionals.

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